LGBT Hollywood

During in the last decade of the 20th century, millions of Americans watched as actress Ellen DeGeneres came out on national television in April 1997, heralding a new era of gay celebrity power and media visibility—although not without risks. Celebrity performers, both gay and heterosexual, continued to be among the most vocal activists calling for tolerance and equal rights.

With greater media attention to gay and lesbian civil rights in the 1990s, trans and intersex voices began to gain space through works such as Kate Boernstein’s “Gender Outlaw” (1994) and “My Gender Workbook” (1998), Ann Fausto-Sterling’s “Myths of Gender” (1992) and Leslie Feinberg’s Transgender Warriors (1998), enhancing shifts in women’s and gender studies to become more inclusive of transgender and nonbinary identities. As a result of hard work by countless organizations and individuals, helped by internet and direct-mail campaign networking, the 21st century heralded new legal gains for gay and lesbian couples.

Same-sex civil unions were recognized under Vermont law in 2000 and Massachusetts became the first state to perform same-sex marriages in 2004; with the end of state sodomy laws (Lawrence v. Texas, 2003), gay and lesbian Americans were finally free from criminal classification. Gay marriage was first legal in the Netherlands, Belgium, Spain and Canada; but the recognition of gay marriage by church and state continued to divide opinion worldwide. After the impressive gains for LGBT rights in post-apartheid South Africa, conservative evangelicals in the U.S. began providing support and funding for homophobic campaigns overseas. Uganda’s dramatic death penalty for gays and lesbians was perhaps the most severe in Africa.

The first part of the 21st century saw new emphasis on transgender activism and the increasing usage of terminology that questioned binary gender identification. Images of trans women became more prevalent in film and television, as did programming with same-sex couples raising children. Transphobia, cissexism and other language (such as “hir” and “them”) became standardized, and film and television programming featured more openly trans youth and adult characters. Tensions between lesbian and trans activists, however, remained, with the long-running Michigan Womyn’s Music Festival boycotted by national LGBT groups over the issue of trans inclusion; like many woman-only events with a primarily lesbian base, Michfest had supported an ideal of ingathering women and girls born female. The festival ended after its fortieth anniversary in August 2015.

Internet activism burgeoned, while many of the public, physical gathering spaces that once defined LGBT activism (bars, bookstores, women’s music festivals) began to vanish, and the usage of “queer” replaced lesbian identification for many younger women activists. Attention shifted to global activism as U.S. gains were not matched by similar equal rights laws in the 75 other countries where homosexuality remained illegal. As of 2016, LGBT identification and activism was still punishable by death in ten countries: Iran, Iraq, Mauritania, Nigeria, Qatar, Saudi Arabia, Somalia, Sudan, Uganda and Yemen; the plight of the LGBT community in Russia received intense focus during the 2014 Winter Olympic Games, to which President Obama sent a contingent of out LGBT athletes. Supportive remarks from the new Pope Francis (“Who am I to judge?”) gave hope to LGBT Catholics worldwide.

Perhaps the greatest changes in the U.S. occurred between spring 2015 and spring 2016: in late spring 2015 Alison Bechdel’s lesbian-themed Broadway production Fun Home won several Tony awards, former Olympic champion Bruce Jenner transitioned to Caitlyn Jenner, and then in June of 2015, the Supreme Court decision recognized same-sex marriage (Obergefell v. Hodges). By spring 2016 the Academy Awards recognized films with both lesbian and transgender themes: Carol and The Danish Girl.